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The following table lists the top 100 songs from movies in 100 years of film, according to the American Film Institute, including movies such as The Sound of Music, The Graduate, and Casablanca. 50+ videos Play all Mix - Casino Times - Casino Edits 1 - B YouTube Las Vegas Casino Music Video: For Night Game of Poker, Blackjack, Roulette Wheel & Slots - Duration: 1:04:27.
- Casino: Music from the Motion Picture: Producer MCA 2xCD 1996 Phenomenon: Music from the Motion Picture: Executive producer Reprise: CD, cassette, digital download 1999 Forces of Nature: Original Motion Picture Soundtrack: Executive producer DreamWorks: CD, cassette, digital download 2000 Any Given Sunday: Music from the Motion Picture, Volume.
- Casino Times – Familiar Circles Remix Ep Label:Wolf Music Recordings – WOLFLP003RMX Format: Vinyl, 12', 45 RPM, White Label Country:UK Release Date: 13 Mar 2017 Genre:Electronic Style.
- Victor Harvey Briggs III (born 14 February 1945 in Twickenham, Middlesex, England) is a former blues and rock musician, best known as the lead guitarist with Eric Burdon and The Animals during the 1966-1968 period.
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There has been a lot of press and attention given over the last couple years about the ‘return’ of vinyl, with sales numbers for the format reaching highs unprecedented since the compact disc became popular. Yet while we are celebrating the vinyl renaissance (I love it so much I actually wrote a book about it called Why Vinyl Matters), what HAS happened to our former love, the shiny CD? While I extol the virtues of the LP loudly and often, I have to admit I still do own and play CDs (especially in my car). I decided to ask some of my friends, peers and colleagues what they thought the fate and fortunes of the seemingly jilted CD. In no particular order, here are the responses. If my tiny sample group is any indication, the CD is not extinct just yet. –Jennifer Otter Bickerdike
Curator, British Music Experience
As part of the British Music Experience, we have a fascinating small display called Playback that highlights the different ways we have listened to music over the years. In amongst the many lovely bits of kit we have on display (the space age looking 8 track player, the boombox, the Dansette, etc.) the poor old CD player looks dull and functional. Two words that probably sum up the largely unloved CD itself.
CDs got a foothold in the mass market when I was doing a load of freelance writing for NME. One of the perks of a job like that was that you get sent loads of free records. Being a slow adapter of new tech and a generous soul to boot, I initially just gave all my freebie CDs away to more savvy mates and persisted with vinyl. Then record company publicists stopped asking which format you wanted their music in and only sent you CDs. I was reluctantly forced to convert. I don’t think I have ever been fully won over by the format. Even though I do still buy the occasional CD, I’ve never felt any real emotional attachment to my collection of CDs in the same way I do with my vinyl. This became clear to me when I recently moved house and was under strict instructions to throw some of my ‘stuff’ out so that we actually had some space in the new place that wasn’t full of my own mini museum/archive. Suffice to say, every single vinyl record I own survived this savage cull while a mountain of CDs was discarded without causing me any great emotional trauma.
Every house and apartment should have records and record players in them. Things would be better.
Let’s not bury this little fella just yet. Sure, it’s not as cool as its older vinyl sister, and not as vital as its younger digital brothers; but there is still some value left in the CD. The future isn’t bright, but perhaps somewhat stable? Manufacturing time and costs in terms of vinyl production make the CD still a great option for the merch table on tours – the livelihood for many bands. CDs are easier when moving house. They’re still satisfying to whack into the car stereo on a long trip (for us older car owners) and you generally don’t have to worry about them as much – they are the practical, old school, less glamorous sibling of musical formats. The “meh” within the world of recorded music distribution. Nothing wrong with a bit of “meh” in our lives from time to time.
Growing up and during my teens, my CD Walkman and CD collection were literally my best friends! It’s like comparing E-readers and tablets to books: For me there is not the same personal connection when reading through album artwork and physically placing a CD in to a machine as there is to downloading a track from iTunes. There is something special about having a collection and watching it grow right in front of your eyes! CDs are perfect for bands and artist of all sizes to create and sell; they are an all-arounder for everyone. Let’s not let them go just yet, hey?
The CD should survive its relative lull. Vinyl costs (to manufacture and buy) are rising, so demand for it may wane again, meaning the CD may re-surface as the physical product, although some distance away from the sales peaks of past decades. Continued mainstream supermarket presence will still count for a lot. Download codes could accompany CD purchases, given the amount of computers without CD drives. Outside the home, CDs still serve the commute, in the same way that FM radio hasn’t disappeared yet. Not everyone has the newest DAB-fitted, data-enabled vehicle — or a streaming subscription.
The future of CDs seems to be in an extremely bizarre place at the moment. For me, and a lot of people in their twenties and late teens, the CD was like having vinyl (this was really just before the vinyl resurgence occurred). I have a lot of affection for the CD, it was like what vinyl was back in the day AND for what it is now for a lot of people. You had a physical copy of something, with lyrics, liner notes- a proper physical copy in your hand. It’s not like now where record players are everywhere and vinyl is in vogue (which is a good thing, in my opinion; music is more than just streaming) so as a 15-year-old, there wasn’t much chance of getting a record player, and why would I? Vinyl seemed to be dead. Now, vinyl is back and even from our perspective, barely anyone buys our CDs, everyone buys our vinyl. So where do CDs stand? I don’t know. But who expected vinyl to come back like this? Also, remember EVERYONE has a CD player, so I’m not convinced they’re being killed off just yet.
Entertainment Retailers Association, Record Store Day UK
The compact disc remains the most transformational format the music industry has ever seen. Neither the download nor yet streaming have managed to eclipse it. Importantly, 15 years since the launch of iTunes in the UK, the compact disc remains the UK’s biggest album format with around 750,000 discs sold every week. Despite the acres of newsprint devoted to the vinyl revival, the CD stills outsells its vinyl precursor by about ten to one. The relatively poor perception of CD these is in part a factor of just how successful it was: its ubiquity has meant it is too often taken for granted. The fact is its virtues – convenience, sound quality, portability – are the same today as when it was first launched. Sales are certainly down, but CD still has a lot of life left in it.
When it was invented in the 1980s the CD was viewed as the future of music. It looked space aged, a gleaming silver disc that the industry told us had a superior sound and no matter how much wear and tear it suffered, would always play perfectly. We were encouraged to change our vinyl collections over to this exciting format, and the industry was happy to sell us our record collections all over again.
The problem with the CD is that it has not improved in more than 30 years. We can send a spacecraft to the edge of the universe but have still not invented a satisfactory CD case. If crushed, the teeth of the plastic tray break so when you open your CD, lots of little pieces of plastic drop out. CDs are wrapped in that irritating plastic that is difficult to tear off. You end up using your teeth or getting a knife. It is as if the format has been sentenced to a long lingering death and nobody is prepared to save it.
People treasure vinyl and take great care not to damage it, yet people don’t value the CD in the same way. My job involves driving all over the UK to visit record shops. On these trips, I take the opportunity to listen to many of our forthcoming releases that I will be selling to the record shops. When I have finished listening to a CD, I throw it on the seat of the car or in to the glove compartment. When I have finished listening to vinyl, I don’t hurl it across the room like a frisbee. The record is carefully replaced in the inner sleeve, before being inserted in the album cover.
Nobody can deny that the CD is undergoing a long and steady decline but talk of “the death of the CD” is premature. It is important to recognize that all formats are integral in ensuring that music prospers. The CD should not be a format we ignore, they are an integral part of the British music industry success story that ought to be celebrated.
For 15 years from the early ‘90s, CDs ruled the music market after rocketing past cassettes to represent the number one format in which people would buy tunes. Before that, cassettes had done the same to vinyl, and now digital is doing it to physical. In 2015, cash generated from the sale of digital downloads and music streaming surpassed CDs (and vinyl), and last year, streaming alone took a 38% marketshare while CD sales counted for less than 30%, according to stats from the IFPI. The global domination of smartphones is only growing and you can’t jam a CD into an iPhone. At their current rate of decline, CDs will count for less than 15% of the music market by 2025 — and it’s surely only downhill from there. If you can afford a bespoke music listening experience at home, would you chose high quality sounding and beautiful looking vinyl, or compressed CDs in plastic casing? In the words of British troubadour Sam Smith, the writing’s on the wall.
Even with my relatively short time in the music industry, I have been surprised multiple times by the changes in people’s listening habits. Fifteen years ago who would have even considered that people would have access to millions of songs on a telephone (that fit in your pocket!!), but equally people are baffled that a vinyl LP is now not just a nostalgic safety blanket, but a format powerhouse in 2018 (24,500 UK sales for Arctic Monkey’s Tranquillity Base Hotel & Casino in one week). So what’s the future of CDs? I’m unsure, but I’m not throwing mine away, I could be sitting on a goldmine!
I don’t think CDs will be obsolete, just look at what happened to cassettes and how that has become a collectors’ thing now after being obsolete for many years. There is always the gifting market to keep it going, albeit in a much smaller capacity.
I find it hard to believe that they will be revered as records are, but for the collectors market, and the possibility of CD only versions of albums (Michaels Jackson‘s Bad included Leave Me Alone on CD only for example) will drive the music fans who feel the need for physical media, but don’t collect vinyl.
There’s room for a resurgence here, but I have my doubts. Sales of CDs have been increasing over the past few years. They’re still a fraction of the market, which vinyl still holds control over. As a collector, I’m finding that good records are getting harder to find at affordable prices. Vinyl has more competition between collectors. CDs are going to continue to grow over time. People will find new music without extensive efforts to find affordable copies. CDs are also much quicker to produce than vinyl and at a fraction of the cost. This is more attractive to artists looking for physical merchandise. As ’90s/’00s nostalgia continues to grow, people are going to want the music and media of their youth.
There are a few down sides to CDs that I can see continuing to hamper growth. During the heyday of CDs, pretty much every vehicle and computer had a CD player. CD collectors may need to go through more effort to find functioning players. There is also evidence that CDs may have a shorter lifespan than records. Issues such as bronzing or cheap CDR degradation may mean unplayable copies.
Robbie Robertson discography | |
---|---|
Studio albums | 5 |
Compilation albums | 4 |
Video albums | 2 |
Music videos | 11 |
Singles | 15 |
Soundtrack albums | 2 |
This is a comprehensive listing of official solo releases by Robbie Robertson, former lead guitarist and singer of The Band.
Albums[edit]
Studio albums[edit]
Title | Details | Peak chart positions | Certifications | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
CAN [1] | BEL [2] | NOR [3] | SCO [4] | SWE [5] | UK [6] | US [7] | US Rock [7] | US Ind. [7] | US [7] | US Taste [7] | |||
Robbie Robertson |
| — | — | 5 | — | 13 | 23 | 38 | — | — | — | — |
|
Storyville |
| — | — | 9 | — | 20 | 30 | 69 | — | — | — | — | |
Contact from the Underworld of Redboy |
| — | — | 16 | — | 45 | 79 | 119 | — | — | — | — | |
How to Become Clairvoyant |
| 8 | — | 19 | — | 16 | 56 | 13 | 5 | 5 | — | 2 | |
Sinematic |
| — | 174 | — | 50 | — | — | — | — | — | 17 | 6 |
Soundtrack albums[edit]
Title | Details | Peak chart positions |
---|---|---|
SWE [5] | ||
Carny (Sound Track from the Motion Picture) (with Alex North) |
| — |
Music for The Native Americans (with The Red Road Ensemble) |
| 23 |
Compilation albums[edit]
Title | Details |
---|---|
Classic Masters |
|
Robbie Robertson/Storyville (Expanded Edition) |
|
20th Century Masters – The Millennium Collection: The Best of Robbie Robertson |
|
Testimony (with The Band) |
|
Singles[edit]
Year | Title | B-Side | Peak Billboard charts positions | Album | |||
---|---|---|---|---|---|---|---|
AAA [11] | Alt. [12] | Adult [13] | Main. [14] | ||||
1987 | 'Showdown at Big Sky' | 'Hell's Half Acre' | — | — | — | 2 | Robbie Robertson |
'Fallen Angel' | 'Hell's Half Acre' | — | — | — | — | ||
'Somewhere Down the Crazy River' | 'Broken Arrow' / 'American Roulette' | — | — | 47 | 24 | ||
1991 | 'Go Back to Your Woods' | 'Broken Arrow' / 'Sign of the Rainbow' | — | — | — | 32 | Storyville |
'What About Now' | 'The Far Lonely Cry of Trains' (non-album track) / 'Somewhere Down the Crazy River' | — | 28 | — | 15 | ||
1994 | 'Mahk Jchi (Heartbeat Drum Song)' | 'It Is a Good Day to Die' / 'Deneta' (non-album track) | — | — | — | — | Music for The Native Americans |
1995 | 'Ghost Dance' | 'Mahk Jchi (Dark Mountain Mix)' | — | — | — | — | |
'The Vanishing Breed' | 'Ghost Dance' / 'Makh Jchi' | — | — | — | — | ||
1998 | 'In the Blood' | 'The Vanishing Breed' / 'Ghost Dance' | — | — | — | — | Contact from the Underworld of Redboy |
'Unbound (Remix)' | 'Unbound (Album Version)' | 15 | — | — | — | ||
2011 | 'He Don't Live Here No More' | — | — | — | — | How to Become Clairvoyant | |
'Fear of Falling' (featuring Eric Clapton) | — | — | — | — | |||
2019 | 'I Hear You Paint Houses' (featuring Van Morrison) | — | — | — | — | Sinematic | |
'Let Love Reign' | — | — | — | — |
Promotional singles[edit]
Year | Title | B-Side |
---|---|---|
1987 | 'Broken Arrow (Edit)' | 'Broken Arrow' |
1988 | 'Christmas Must Be Tonight' | |
1992 | 'Shake This Town' | 'Shake This Town (Edit)' |
'Breakin the Rules (Edit)' | 'Breakin the Rules' | |
1996 | 'Crazy Love (Edit/Fade)' (w/ Aaron Neville) | 'Crazy Love' |
Guest singles[edit]
Year | Title | Artist |
---|---|---|
1997 | 'Take Your Partner by the Hand' | Howie B |
Other appearances[edit]
Casino Times Discogs List
Year | Title | Album | Notes |
---|---|---|---|
1983 | 'Between Trains' | The King of Comedy | original songs |
1986 | 'Modern Blues' and 'Main Title' | The Color of Money | |
1988 | 'Christmas Must Be Tonight' | Scrooged | |
1994 | 'Slo Burn', 'Let the Good Times Roll' (with Cassandra Wilson), and 'Bad Intentions' | Jimmy Hollywood[15] | soundtrack also features 'The Lonely, Far Cry of Trains' |
1996 | 'Crazy Love' | Phenomenon | Van Morrison cover |
2000 | 'Amazing Grace', 'Out of the Blue', and 'Carry Me' | Any Given Sunday: Volume II | soundtrack also features 'Ghost Dance (Saber Remix)' |
2004 | 'Shine Your Light' and 'Reflection-Adagio' | Ladder 49[16] | original songs |
2005 | 'Webster Hall', 'A New Kind of Love', and 'At Last' | Raging Bull[17] | originally recorded in 1980 |
2019 | 'Theme for The Irishman' | The Irishman |
Producer[edit]
Albums[edit]
Year | Artist | Title |
---|---|---|
1976 | Neil Diamond | Beautiful Noise |
And the Singer Sings His Song | ||
1977 | Love at the Greek | |
2002 | A.I. | Artificial Intelligence |
2003 | Eastmountainsouth | Eastmountainsouth |
Soundtracks[edit]
Year | Title | Role | Label | Formats |
---|---|---|---|---|
1978 | The Last Waltz (soundtrack) | Producer | Warner Bros. | 3xLP, 2xcassette, 2xCD (1988), digital download |
1983 | The King of Comedy: Original Soundtrack | Producer | Warner Bros. | LP, cassette, CD (2016) |
1986 | The Color of Money: The Original Motion Picture Soundtrack | Producer | MCA | LP, CD, cassette, digital download |
1994 | Jimmy Hollywood: The Original Motion Picture Soundtrack | Producer | Atlas | CD, cassette |
1995 | Casino: Music from the Motion Picture | Producer | MCA | 2xCD |
1996 | Phenomenon: Music from the Motion Picture | Executive producer | Reprise | CD, cassette, digital download |
1999 | Forces of Nature: Original Motion Picture Soundtrack | Executive producer | DreamWorks | CD, cassette, digital download |
2000 | Any Given Sunday: Music from the Motion Picture, Volume II | Producer | Warner Sunset/Atlantic | CD |
2001 | Shrek: Music from the Original Motion Picture | Executive producer | DreamWorks | CD, cassette, LP (2019), digital download |
2002 | The Last Waltz (soundtrack box set) | Producer | Warner Bros. | 4xCD, DVD-A, digital download |
Gangs of New York: Music from the Miramax Motion Picture | Music supervisor | Interscope/Miramax | CD, digital download | |
2004 | Ladder 49: Original Soundtrack | Producer | Hollywood | CD, digital download |
2005 | Raging Bull: The Original Motion Picture Soundtrack | Producer | Capitol | 2xCD |
2006 | The Departed: Music from the Motion Picture | Music supervisor | Warner Sunset/Warner Bros. | CD, digital download |
2010 | Shutter Island: Music from the Motion Picture | Producer, music supervisor | Rhino | 2xCD, digital download |
2013 | The Wolf of Wall Street: Music from the Motion Picture | Executive producer | Virgin | CD, digital download |
2017 | Silence: Original Motion Picture Soundtrack | Executive producer | Rhino Warner Classics | CD, digital download |
2019 | The Irishman: Netflix Soundtrack | Executive producer | Netflix | LP, digital download |
Music videos[edit]
Year | Title | Director |
---|---|---|
1987 | 'Showdown at Big Sky' | |
'Fallen Angel' | ||
1988 | 'Somewhere Down the Crazy River' | Martin Scorsese |
1991 | 'What About Now' | |
1992 | 'Go Back to Your Woods' | Samuel Bayer |
1994 | 'Mahk Jchi' | Victor Ginzburg |
1995 | 'Ghost Dance' | |
1998 | 'Take Your Partner By the Hand' | |
'In the Blood' | ||
'Unbound' | ||
2005 | Sarah McLachlan - 'World On Fire' | Paul Fedor |
[19][20][21]
See also[edit]
Casino Times Discogs Games
References[edit]
- ^'Robbie Robertson Chart History: Canadian Albums'. Billboard. Retrieved July 20, 2020.
- ^'Discografie Robbie Robertson'. ultratop.be. Retrieved July 20, 2020.
- ^'Discography Robbie Robertson'. norwegiancharts.com. Retrieved July 20, 2020.
- ^'Official Scottish Albums Chart Top 100: 27 September 2019 – 3 October 2019'. Official Charts Company. Retrieved July 20, 2020.
- ^ ab'Discography Robbie Robertson'. swedishcharts.com. Retrieved July 20, 2020.
- ^'Robbie Robertson full Official Chart history'. Official Charts Company. Retrieved August 15, 2019.
- ^ abcd'Robbie Robertson Chart History'. Billboard. Retrieved August 15, 2019.
- ^'CRIA Certifications'. Retrieved 2019-08-15.
- ^'BPI Certified Awards'. Retrieved 2019-08-15.
- ^'RIAA Gold and Platinum'. Retrieved 2019-08-15.
- ^'Robbie Robertson Chart History: Adult Alternative Songs'. Billboard. Retrieved August 19, 2019.
- ^'Robbie Robertson Chart History: Alternative Songs'. Billboard. Retrieved August 19, 2019.
- ^'Robbie Robertson Chart History: Adult Contemporary'. Billboard. Retrieved August 19, 2019.
- ^'Robbie Robertson Chart History: Mainstream Rock'. Billboard. Retrieved August 19, 2019.
- ^'Various - Jimmy Hollywood'. Discogs. Retrieved 2020-04-14.
- ^'Various - Ladder 49 (Original Soundtrack)'. Discogs. Retrieved 2020-04-14.
- ^'Various - Raging Bull - The Original Motion Picture Soundtrack'. Discogs. Retrieved 2020-04-14.
- ^'Robbie Robertson Discography'. Discogs. Retrieved August 19, 2019.
- ^'Robbie Robertson'. Retrieved August 19, 2019 – via YouTube.
- ^'RobbieRobertsonVEVO'. Retrieved August 19, 2019 – via YouTube.
- ^'Robbie Robertson'. IMVDb.com. Retrieved August 19, 2019.
External links[edit]
Casino Times Discogs Online
- Robbie Robertson discography discography at Discogs